{"id":16559,"date":"2013-11-18t14:20:47","date_gmt":"2013-11-18t19:20:47","guid":{"rendered":"\/\/www.imrbdigital.com\/?p=16559"},"modified":"2013-11-18t14:20:47","modified_gmt":"2013-11-18t19:20:47","slug":"inviting-genius-students-as-producers-in-african-american-studies","status":"publish","type":"post","link":"\/\/www.imrbdigital.com\/2013\/11\/inviting-genius-students-as-producers-in-african-american-studies\/","title":{"rendered":"“inviting genius”: students as producers in african american studies"},"content":{"rendered":"

by nancy chick, cft assistant director<\/p>\n

\"\"<\/a>the cft’s theme this year, “students as producers<\/a>,” has given me the opportunity to talk with some talented and thoughtful colleagues across campus. on october 24, i brought together three of them to have a conversation on teaching about “producing, performing, & creating learning across the humanities: models of generative learning assignments<\/a><\/strong>.” their ideas were so rich that i’m devoting separate blog posts to each of them.\u00a0 today:\u00a0 alice randall.
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alice randall <\/strong><\/a>(english department, african american diaspora studies) began the conversation with her challenge to students: “i want my students to create and not just consume knowledge, so i tell them, ‘to get an a, you have to teach me something<\/strong>.'” her students work hard to rise to the challenge, and she supports their efforts by carefully scaffolding their learning in a four-stage process. her courses–whether african-american children’s literature, or country lyrics in american literature, or the history of african-american film–always begin with the theory, followed by the relevant histories, giving students a grounding for the harder theoretical work.\u00a0 next, the students analyze the texts through the lenses of these theories and histories. finally, students create or produce “something new.”<\/p>\n

what do they create?<\/p>\n