{"id":3489,"date":"2010-08-23t15:24:18","date_gmt":"2010-08-23t21:24:18","guid":{"rendered":"\/\/www.imrbdigital.com\/"},"modified":"2021-02-19t16:57:58","modified_gmt":"2021-02-19t21:57:58","slug":"making-better-powerpoint-presentations","status":"publish","type":"page","link":"\/\/www.imrbdigital.com\/guides-sub-pages\/making-better-powerpoint-presentations\/","title":{"rendered":"making better powerpoint presentations"},"content":{"rendered":"
print version<\/a><\/p>\n we have all experienced the pain of a bad powerpoint presentation. and even though we promise ourselves never to make the same mistakes, we can still fall prey to common design pitfalls. \u00a0the good news is that your powerpoint presentation doesn\u2019t have to be ordinary. by keeping in mind a few guidelines, your classroom presentations can stand above the crowd!<\/p>\n one framework that can be useful when making design decisions about your powerpoint slide design is baddeley and hitch\u2019s model of working memory<\/a>.<\/p>\n <\/p>\n as illustrated in the diagram above, the central executive<\/strong> coordinates the work of three systems by organizing the information we hear, see, and store into working memory.<\/p>\n the phonological<\/strong> loop<\/strong> deals with any auditory information. students in a classroom are potentially listening to a variety of things: the instructor, questions from their peers, sound effects or audio from the powerpoint presentation, and their own \u201cinner voice.\u201d<\/p>\n the visuo-spatial sketchpad<\/strong> deals with information we see. this involves such aspects as form, color, size, space between objects, and their movement. for students this would include: the size and color of fonts, the relationship between images and text on the screen, the motion path of text animation and slide transitions, as well as any hand gestures, facial expressions, or classroom demonstrations made by the instructor.<\/p>\n the episodic buffer<\/strong> integrates the information across these sensory domains and communicates with long-term memory. all of these elements are being deposited into a holding tank called the \u201cepisodic buffer.\u201d this buffer has a limited capacity and can become \u201coverloaded\u201d thereby, setting limits on how much information students can take in at once.<\/p>\n laura edelman<\/a> and kathleen harring <\/a>from muhlenberg college<\/a>, allentown, pennsylvania have developed an approach to powerpoint design using baddeley and hitch\u2019s model. during the course of their work, they conducted a survey of students at the college asking what they liked and didn\u2019t like about their professor\u2019s powerpoint presentations. they discovered the following:<\/p>\n\n
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“it is easy to dismiss design \u2013 to relegate it to mere ornament, the prettifying of places and objects to disguise their banality. but that is a serious misunderstanding of what design is and why it matters.”<\/em><\/h4>\n
daniel pink<\/em><\/h5>\n<\/blockquote>\n
<\/a>baddeley and hitch\u2019s model of working memory.<\/h2>\n
<\/a>research about student preferences for powerpoint<\/h2>\n
characteristics students don\u2019t like about professors’ powerpoint slides<\/h4>\n
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characteristics students like like about professors’ powerpoint slides<\/h4>\n
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according to edelman and harring, some conclusions from the research at muhlenberg are that students learn more when:<\/h3>\n
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advice from edelman and harring on leveraging the working memory with powerpoint:<\/h3>\n
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<\/a>resources for making better powerpoint presentations<\/h2>\n
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